This video is full of imagery
with underlying significance. For example, most of the video takes place in a
field of poppies growing next to dead trees, which reflects the contradictory
quality of the song. The juxtaposition of life and death is perpetuated
throughout the video, another example being the foetus in the hospital room IV,
being fed into a dying old man. The poppy field is also reminiscent of the
spilled blood of soldiers in war, as well as heroin, which is obtained from
opium poppies, apposing heroism, strength and stoicism with heroin, weakness,
addiction, and reliance. Sacrifice is also a running theme throughout: the man
in a Santa hat crucifies himself, combining the traditional aspects of religion
with the stark and harsh reality of Jesus dying on the cross to save sinners.
The cross is ridden with crows, a well-known symbol of death, and one of the
characters, a little girl dressed in an outfit similar to a bishop or a KKK
member, is seen throwing flowers at the base of the cross, as a mourner would
at a funeral as a tribute to the dead. A cross is also seen painted on the
floor of the gloomy hospital room that the video opens and closes to, carrying
the theme of religion throughout the whole video. The foetuses that can be seen
hanging from trees and inside the drip in the hospital setting are significant
as this video was made shortly after the birth of Cobain's first child, who was
the focus of Kurt and Courtney's battle with the media, after it was falsely
reported that the baby, Frances Bean Cobain, was born a heroin addict, and was
subsequently taken from her parents during the first few weeks of her life.
This song was written by Kurt as
a tribute to his wife, Courtney Love. It was written in 1993 shortly after the
birth of their first child, Frances Bean Cobain. It was originally named 'Heart
Shaped Coffin'. It is named after the heart-shaped trinket boxes Courtney sent
Kurt after they met but before their relationship started. The lyrics combine
violent imagery, nonsensical phrases, and more poetic references to angels,
flowers, and babies, creating a song that, while appearing contradictory, are
very personal and elegiac.
This video demonstrates fairly
simple editing skills as there are no particularly complicated transitions
between shots and no editing techniques used within the shots to allow them to
look visually more interesting. This puts emphasis on the mise-en-scene, the
most important factor in this video aside from the performance and music. In
the shots where the band are performing, Cobain is extremely close to the
camera looking crazed, and this out-of-focus extreme close-up effect was used
in other bands' music videos from this point onwards, for example Soul Asylum's
music video for their song Misery (1995). The frontman, Dave Pirner, has
adopted Cobain's hair, clothing style, and style of performance in this video,
although the song is vastly different from Nirvana's music. The screenshots
below are excerpts from the Soul Asylum video showing the parallels between
this and the Heart Shaped Box video.
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